Sandro Botticelli
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Sandro Botticelli Museum
c. 1445 – May 17, 1510. Italian painter.

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Diego Velazquez
Prince Baltasar Carlos with the Count

ID: 85533

Diego Velazquez Prince Baltasar Carlos with the Count
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Diego Velazquez Prince Baltasar Carlos with the Count


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Diego Velazquez

Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet  Related Paintings of Diego Velazquez :. | Retrato de la infanta Margarita | Las Meninas (mk08) | Agustin Moreto (df01) | Portrait du bouffon don Juan de Austria (df02) | Las meninas,or the Family of Philip IV |
Related Artists:
Simone Dei Crocifissi
Italian Painter , 1330-1399
William Callow
British Painter, 1812-1908 1812-1908.English painter and engraver. The son of a carpenter and builder, Callow was apprenticed at the age of 11 to Theodore Fielding, with whom he remained for two years. Copley Fielding also took an interest in his progress. In 1825 Callow was articled to Theodore Fielding for eight years' instruction in watercolour drawing and aquatint engraving. However, in 1829 he left for Paris, at the invitation of Thales Fielding, to work for the publisher J. F. d'Ostervald. He lived and worked with Newton Fielding until 1830, when the events of the July Revolution forced them back to Britain. Callow was again in Paris by February 1831 and returned to London only in 1841.
Peter Graham
painted Spate in the Highlands e1868






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